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musical musings

the economics of underserved audiences (part 1)

Yesterday, I posted a bit about playing for underserved audiences, or rather, my desire to play for them. As the response to an email I quoted it’s an issue of bringing a certain type of live entertainment to groups that might not otherwise have an opportunity (or that have fewer opportunities) to ever experience an [...]

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Mahler Project

I was tempted to call this the “Mahler Symphony No. 1 in D Major Project” but thought that might incline me to have an end point for the project. As it stands, what I’ve decided to do (since I’ve decided I should go ahead and do this performance of Mahler 1 with the IU Southeast [...]

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to create or to copy

I was reminded of a quote I’ve often posted in various online forum debates about originality in music. Here’s the blurb from an old issue of the Theatre Symposium journal–the special issue titled “Crosscurrents in Drama: East and West” (Volume 6, 1998). It’s from “Part II: The Symposium, A Panel Discussion on Crosscurrents in the [...]

Alternative Careers as a String Player

Earlier today I had the pleasure of giving a talk to young string players (grades 7-12) about, as the title of my post says, “Alternative Careers as a String Player” during the IUS String Clinic 2010. The idea was to emphasize the kinds of careers a number of string players currently (or in the recent [...]

Music diversity for a new millennium?

Greg Sandow has recently posted a blurb from Ramon Ricker’s blog post, Changing US Demographics and Classical Music.  This is very much an issue and theme I’ve been exploring a bit here.  I especially enjoyed Janis’ comments to Greg’s post. I’ve had at least one response at Greg’s site get eaten, so i thought I’d [...]

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Ottoman Cello Suites

This is a project I’d been thinking about for some months now but just haven’t had the time to get around to for various reasons.  With the recent publication of Eric Siblin’s The Cello Suites as well as the general lacunae in conservatory Music History education regarding the music in portions of Europe during the [...]

“There will always be another musician who will show up on time, has the right attitude, wears the right clothes, brings the right gear, knows the music better than you do, and plays better than you.”

A fantastic piece by Gary Melvin with lots of spot on tips/advice that would go just as well for the frontman/soloist as not.  This should be every working musician’s guidebook! A Guide to Being a Successful Sideman by Gary Melvin

tentative solo cello recital program

So I’ve taken a bit of an unintentional break from blogging. I’m trying to post at least once a day for my own benefit (I’d like to get used to writing again–more as a way to develop how I organize thoughts on the page than for anything else). But back to the Solo cello recital [...]

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Popper rawks…

So is it so strange that I get a kick out of practicing/playing Popper Etudes? I feel even more strongly that these little gems should be performed publicly more often. A number of them are great little show pieces–and let’s be frank, pieces like “Dance of the Elves” or “Spinning Song” are nothing more than [...]

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update on solo cello repertoire bibliography

So after finding another one of my composer friends, Steve Layton, on facebook (this site has got to be one of the best networking tools I’ve come across) he directed me to the new netnewmusic ning website. I put out a call for solo cello repertoire there and have gotten quite a number of responses [...]

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